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District Attorney D. Luís I Foundation Hours of Operation From Tuesday to Sunday From 10:00 to 18:00 (last entry at 17:40) Additional Information Stanley Kubrick Exhibition – Through A Different Lens until May 22, 2022 https://www.fundacaodomluis.pt/expositions/stanley-kubrick This ticket includes all temporary and permanent exhibitions at the Cascais Cultural Center. https://www.fundacaodomluis.pt/ prices  

Brief introduction ACCESS TO TRINITY – SAFETY RECOMMENDATIONS The safety standards for public access to Teatro da Trindade INATEL meet the guidelines of the DGS: – There are specific accesses to the ticket office and the interior of the Theater, duly identified with signs for this purpose – The safety distance must be respected inside the Theater – It is mandatory to wear a mask inside the building and throughout the show. – Hand hygiene is recommended at the disinfectant gel stations available, before entering the concert hall – The audience leaves according to the instructions of the room assistants – There is no cafeteria service – The rooms and respective places are sanitized before the public entry Synopsis In a prison, under a dictatorial regime, a cell with two prisoners. Molina, a homosexual with an intense feminine side, is placed by the prison director in a cell with Valentín, a guerrilla and political prisoner, hoping in this way to obtain information about revolutionary activities. Despite their differences, the fantasy universe of one and the physical suffering of the other end up bringing them together and, against all expectations, they develop an accomplice friendship, which will give us a deep […]

Brief introduction ACCESS TO TRINITY – SAFETY RECOMMENDATIONS The safety standards for public access to Teatro da Trindade INATEL meet the guidelines of the DGS: – The seats in cabins and friezes can be purchased in their entirety, only by cohabitants. – There are specific accesses to the ticket office and the interior of the Theater, duly identified with signs for this purpose – The safety distance must be respected inside the Theater – It is mandatory to wear a mask inside the building and throughout the show. – Hand hygiene is recommended at the disinfectant gel stations available, before entering the concert hall – The audience leaves according to the instructions of the room assistants – There is no cafeteria service – The rooms and respective places are sanitized before the public entry Synopsis In the original Present Laughter, this comedy, written in 1939, celebrates the legendary free spirit of playwright Noël Coward. Widely regarded as the author’s most autobiographical play, it premiered in 1942, performed by the author himself. Guilherme de Andrade is a famous actor with a vast legion of fans, who, attracted by his charm and charisma, turn their home into true chaos. In the week […]

Augusto is a 35-year-old Brazilian immigrant who lives in Portugal with his mother Inês and dog Clarinha. In addition to serving and enduring his mother’s scorn on a daily basis, Augusto has a job he hates. His only pleasure is in going to the theater often, where he can forget about his problems and give himself over to a strong feeling of ecstasy. With an increasingly oppressive personal life, Augusto intensifies his trips to the theater, but they don’t seem to be enough. Obsessed, he starts questioning some actors at the end of the shows, starts interrupting performances to ask for more delivery, until one day, in the middle of an argument, he ends up assaulting a director. Augusto’s bad reputation becomes nationally known and theaters start putting up signs at the box office, which forbid him to enter. No longer possible to be public, he decides to be an actor. He looks for numerous companies and artists, but they refuse for various reasons, even because of what they consider to be another language, “Brazilian”. Desperate, Augusto executes a coup: taking a spectacle by force. He kidnaps the actors of a company on the day of a premiere and takes […]

Cepa Torta Company Change. This word that always seems to mean the destruction of something for the construction of something else that favors us, homo sapiens. How to believe in the end of the world and be happy? How to escape the lack of hope? Like someone who frees himself from a silent cry, forged by the anxiety of someone who is faced with a cosmic cataclysm, Filipe Abreu continues in search of revolution, of hope for a better future and, failing that, seeks the best way to live in peace with the your consciousness during the greatest weather disaster in known history. In theater/conference format, it presents a raw portrait of human impacts on the planet throughout history and today, from the first mass extinctions with the arrival of humans in Australia, in 45,000 BC, to the plastic islands that colonized large Pacific areas. It addresses (and criticizes) current attempts to change the world for the better, and future prospects for our species and its surroundings. Will technology be able to sustain the health of planet Earth? Will the human species be able to radically change its way of living and facing the world? Creation, Interpretation and Light FILIPE […]

INSONIA is a show directed by Olga Roriz for a renewed cast and created in partnership with the creative team of the previous plays. The entry of new elements in the body of dancers renews points of view and aesthetic options. Dancers of five nationalities: Portuguese, Italian, English, Polish and Cuban, the result of an international audition. A claim to the place of the body, from its energy to its fragility. The restless body of exposed flesh. The savagery of being a woman or being a man in the same erotic world. The identity, origin, memories of each of the performers were put to the test, confronting the past, the present, the future and the vital connection with the origins. The inexorable passage of time. A study of the feminine and the masculine, the male and the female without defined sex, without gender. Since eroticism is a vague concept, not palpable from the imagination, it had to be concretized, intellectualized. In the first period of creation, much thought was produced in the form of writing. This is one of those texts: «Erotism is a trap of all definitions and interpretations. Eroticism is the game of solitary, it is a solitary […]

“Lar Doce Lar”, the show that brought together for the first time on stage Joaquim Monchique and Maria Rueff, returns for a new season at Teatro Maria Matos from 7 April. Two elderly women who share a room at the Anturios Dourados Senior Residence embark on a wild competition for a private room after the “departure” of its previous occupant. With the comic brilliance that we are used to, Maria Rueff and Joaquim Monchique unfold into multiple characters and take us on a troubled and hilarious journey through the four corners of this sweet home. “Lar Doce Lar” originally premiered in 2012. With a vibrant text, reinforced by the vivacity and intelligence of Rueff and Monchique’s interpretations, it quickly achieved a great success with the public that would be repeated in 2015. This year the doors of the Anturios Dourados Residence will open again and offer another opportunity to witness live the enormous talent of two absolutely unavoidable names in national comedy. Text from What Matters Is That They Be Happy! by Luisa Costa Gomes Directed by António Pires Scenario F. Ribeiro Dino Alves costumes Drawing by Luz Paulo Sabino With Maria Rueff and Joaquim Monchique Source: https://teatromariamatos.pt/event/lar-doce-lar/

District Attorney Boca de Cena, Artistic Productions Lda. Brief introduction From Broadway to Lisbon La Féria will premiere Almodóvar’s first musical in Lisbon After the success of “Espero por Ti no Politeama”, Filipe La Féria prepares a great musical of international success, from Broadway to Lisbon, “Women on the brink of a nervous breakdown”. Synopsis “Women on the Edge of a Nervous Breakdown” is based on Pedro Almodóvar’s masterpiece, with Paula Sá, Rita Ribeiro, Carlos Quintas, Filipa Cardoso, Bruna Andrade, João Frizza, Filipe de Albuquerque, Élia Gonzalez, Fernando Gomes, Rosa Areia, Samuel de Albuquerque, Paulo Miguel Ferreira, Jonas Cardoso, Paula Marcelo, in addition to 8 dancers choreographed by Marco Mercier, a live orchestra conducted by conductor Miguel Teixeira and vocal direction by Tiago Isidro. Performed with the greatest success on every stage in the world, with text by Jeffrey Lane and original music by David Yazbek, considered one of the best Broadway songwriters of all time, “Women on the Verge of a Nervous Breakdown” was awarded with 3 Tony Awards, including Patti LuPone for Best Supporting Actress and Best Original Song. “Women on the Verge of a Nervous Breakdown” is a mind-blowing comedy in which the labyrinth of Almodovarian passions […]

Alejandro Casona invites us to join the sophisticated Suicidal Club. It is a clinic specialized in offering the patient – a suicide candidate – a perfect death. Morbid? Not at all. The text fulfills the idea of a famous phrase by its author: “There is nothing so serious that it cannot be said with a smile”. Thus, this comedy – with refined and intelligent humor – de-dramatizes a taboo theme, summoning death to interrogate and honor life, because «Living is not just a right. It is above all a duty » Source: https://agendalx.pt/events/event/e-proibido-suicidar-se-na-primavera/

Principezinho is back and will be on stage at Teatro Maria Matos from March 12th. After the success it had in 2018, Universal Music Portugal brings back to Portugal the musical O Principezinho (winner of the prize for Best Play for Children at the Pumpkin Awards 2018), a stage version of the famous work by French author Antoine de Saint-Exupéry which tells the story of a boy with golden hair and a pilot lost in the desert. O Principezinho has a Portuguese version and direction by João Duarte Costa. · Mariana Pacheco, Paulo Vintém, Joana Brito Silva, José Lobo and Diogo Bach This is a timeless story about love and friendship and about the importance of honesty and never failing to be amazed by the world around us, having touched several generations. The music, songs, actors, 3D virtual characters and video mapping visual effects create a spectacular and magical visual scenography that transports the audience to the fantastic world of O Principezinho. Source: https://teatromariamatos.pt/event/o-principezinho/

An unexpected meeting between some characters taken from other stories, who were invited to a birthday party… But it is not known how, when or why. The happy chance ends up stopping the clock and turns into a magical celebration of friendship. Because it is important to savor the moments of sharing the simplest pleasures of life. All this seems… extraordinarily simple! Art Sheet Text – Fernando Gomes Music and musical direction – Quim Tó Artistic direction and costumes – Collective Scenography – Kim Cachopo Choreography Maria Curado Ribeiro and Paulo Neto Light design – Tiago Santos INTERPRETATION Beatriz Baptista, Henrique Macedo, Marta Lopes Correia, Paulo Neto, Tiago de Almeida Contacts for Reservations RESERVATIONS Tel 217 154 057 Mobile 916 993 180 E-mail: ticketing@til-tl.com SCHOOL RESERVATIONS Tel 218 860 503 Mobile 916 993 180 Email: info@til-tl.com LOCALIZATION Armando Cortez Theater – Artist’s House Pontinha Road 7 1600-584 Lisbon

Adaptation of the Original Book JOHANNA SPYRI 58th production of the TIL-Lisbon Children’s Theater “Heidi”, a classic for all times and cultures that conquered the world. The purity of thought and the naive wisdom of this character leads us to essential themes, such as gender equality, inclusion, difference and saudade. And these are some of the “secrets” to the success of this story, in a musical version, for the first time in Portugal, that promises to transform hearts. Art Sheet VICTOR LINHARES: Directing and Choreography ANA ZARAGOÇA: Text QUIM TÓ: Music and musical direction KIM CACHOPO: Scenography JUNIOR PERSON: Costumes TIAGO SANTOS: Light design Interpretation BEATRIZ BAPTISTA, FILIPA CORREIA, HENRIQUE MACEDO, KIM CACHOPO, MARTA LOPES CORREIA, MIGUEL VASQUES, PAULO NETO, TIAGO DE ALMEIDA Contacts for Reservations RESERVATIONS Tel 217 154 057 Mobile 916 993 180 E-mail: ticketing@til-tl.com SCHOOL RESERVATIONS Tel 218 860 503 Mobile 916 993 180 Email: info@til-tl.com