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Radio Antechamber The space we inhabit is not just built of walls. One of those spatial matters, which we don’t see but feel with the body and the head, is sound. Sound, which is also the place for words, is a fundamental dimension of architecture. By presenting this perceptive dimension of space, this exhibition explores the ways in which architecture constructs our everyday experience of space and the environment. The exhibition’s central component is a recording studio that, from February to September 2022, will host Rádio Antecâmara, a radio that broadcasts architecture and uses radio waves and digital circuits to question and expand notions of the city, fighting for making the city a heterogeneous place of encounter and discovery. In orbit around the performative and inhabited space of the studio, the contents of the exhibition will demonstrate how sound shapes our perception of space and that the matter of buildings is not always visible. Curators Alessia Allegri and Pedro Campos Costa Source: https://www.ccb.pt/evento/radio-antecamara-espacos-sonoros/2022-03-08/
Tony Conrad (Concord, New Hampshire, USA, 1940 – Cheektowaga, New York, 2016) was one of the biggest names in experimentalism in Western art in the last fifty years. His work covers areas as diverse as music, installation, painting or cinema, and his works are critical and humorous responses to the most varied normative aspects of culture. For this exhibition, included in a tour whose last appearance took place at MAMCO, in Geneva, several of his most important works were brought together, including the Yellow Movies (1972-73) or the installations Panopticon (1988) and WiP (2013). , but also a set of the “acoustic tools” he invented and some of the works in which he wanted to dissect the functioning of contemporary media and institutions. The historic The Flicker (1966) will also be present in this anthology, with two presentations of this landmark of structuralist cinema being planned in the auditoriums of Culturgest. Throughout his public career, Conrad’s works have been shown in exhibitions at the Museum of Modern Art, Tate Modern, L.A. Museum of Contemporary Art, Whitney Museum of American Art, Documenta or the Venice Biennale. This is the first exhibition of this unavoidable figure of contemporaneity in our country. Source: […]
Strangeness first and curiosity later: these were the ingredients that allowed the intercultural dialogue that gave rise to the introduction of original iconographic themes and repertoires that are reflected in the works of art present in the Portuguese Presence Exhibition in Asia. Thus, objects from India, produced from European models, but with local techniques and raw materials – to initially satisfy an ecclesiastical clientele and, later, orders from European noble and bourgeois elites – are manifested here in the liturgical implements, textiles, jewellery, furniture, ivory objects, safes, counters, revealing the symbolism and symbiosis of the two cultures. The same happened in Japan, where the contacts established between the Japanese and the first Portuguese, gave rise to a unique artistic manifestation known as “namban art” of which the screens, counters, oratories, helmet and stirrups are eloquent examples. The great fascination exercised by Chinese and Japanese cultures, since the 16th century, remained until the 19th century and the beginning of the 20th century, with Portuguese intellectuals Camilo Pessanha and Manuel Teixeira Gomes, who became reference figures in the art of collecting. By collecting iconic objects from these cultures – such as scroll paintings, Chinese painting albums, costumes, objects for scholars, Chinese snuff […]
Visual Natures The Politics and Culture of Environmentalism in the 20th and 21st Centuries The result of more than two years of critical research in climate science, creative practices and ecopolitics, Naturezas Visuais is the continuation of the journey started in 2021 with the scientifically based installation Earth Bits – Sentir o Planeta and the public program Climate: Emergency. > Emergente, curated by maat’s first Climatic Collective. This research project studies the practices of collective action at the political, social and cultural level that, in the last hundred years, have been demonstrating how the transforming human understanding of “nature” – philosophical, biological and economic – is in the foundation of our communities’ ways of organizing, subsistence and governance as an expanding planetary model, both conceptually and practically. The resulting mapping makes a cross reading of four themes of study – artistic production and cultural events, technological innovations and scientific discoveries, social movements and reflections on global governance – which follows an approximate chronological order, from the 1950s to the 1950s. our days. To the challenge of the encyclopedic nature of the project, the presentation responds with the organization in three major linked themes – Deep Ecology (1950–1980), Planetary Complex (1990–2010) […]
In Ancient Greece, scientists/mathematicians were dedicated to the study of Geometry to understand the world. They measured the mountains, counted the stars and calculated distances, creating forms and formulas to apply and conquer. the knowledge of the Universe. Art also uses Mathematics, both in form and in colors and materials. On this visit we will explore the contemporary work of art through the logic of Mathematics.
Friday, from 19.00 to 20.30 Target audience M/16 years old Tenchi Tessen is an art of movement. Its purpose is to allow human beings to find harmony with themselves and with the world, between heaven (ten) and earth (chi). Created by Georges Stobbaerts, tenchi tessen can be compared to a hieratic dance, an art for the unity of the body, which is situated in the present moment, where the fan replaces the saber and confrontation gives way to conciliation. In collaboration with TenChi School TenChi International Association IN CASE OF WITHDRAWAL: There will be a refund of the total registration fee when the withdrawal is communicated up to 8 working days before the activity. After that date, reimbursement can only be considered if the place is filled or in situations of illness, accident, or other imponderables of force majeure, duly proven. If the activity does not take place due to lack of participants, or for any other reason, the registration fee will be refunded in full. ADDITIONAL INFORMATION: Educational Service Tel. 213 585 299 E-mail: email@example.com prices €30.00/participant/one lesson per week/month € 10.00| single class
Brief introduction With José Santos In this adventure, you will discover the DIA! In a track game you will have to use your imagination, your intuition, your hands and your feet to overcome the proposed challenges and puzzles. Ready to embark on a surprising universe of experiences and sensations! Additional Information 4th Saturday of each month 4:00 pm From 4 to 8 years old Duration 2h
Brief introduction In a thematic tour through the museum’s gardens, tailored to different audiences, the participant is challenged to dialogue with biodiversity and the coexistence between species, in a logic of knowing in order to interpret and enrich the relationship with art and nature. Additional Information with Maribel Sobreira Audience: for all ages Duration: 60 minutes
VALIDITY OF USE 15 days after purchase DISTRICT ATTORNEY Musicport – Musical Production and Entertainment Lda BRIEF INTRODUCTION ALL ON LINE Fernando Pereira & Friends The Inimitable Lord of Voices in his Seven Quintas A virtual, intimate and interactive show, where anything can happen. Now available on demand! In a unique and super fun musical journey, Fernando Pereira takes us through great themes and voices of all times, very well framed in healthy moments of humor and improvisation, many of which with people who interact virtually with the artist in virtual private rooms. Never-before-seen images and stories, coming out of your memory chest” are still the motto for several numbers and moments that make up the show. From Bruno Mars to António Variações, including Bon Jovi, José Cid, Pedro Abrunhosa or Ed Sheeran, everyone gives a little leg to Fernando Pereira’s lineup of voices and caricatures. More information at www.fernandopereira.pt PRICES Entrance – 5€
Guided Tour On the occasion of the Portugal-France 2022 Season, maat presents for the first time in Portugal a broad overview of Antoine de Galbert’s personal collection. Inspired by the history and original function of the exhibition site, the theme of the night quickly established itself. Built at the beginning of the 20th century to supply electricity to Lisbon and its surroundings, the Tejo Power Station is testimony to the transformation that took place at the beginning of the last century with the generalization of electricity and lighting introduced by power stations. Together with the psychoanalysis then emerging, this energetic revolution transformed the night and the relationship we have with it. An inexhaustible source of inspiration for artists, the night continues to feed and impregnate the works with the questions it raises, whether philosophical, political, societal, ecological or scientific. A source of hope or anguish, it is also a space-time of freedom and transgression that is so convenient for creation and which the collection made by Antoine de Galbert echoes. Through a journey conceived as a crossing, from dusk to dawn, from blindness and the loss of references to the hope for better days on the horizon, from night dreams […]
The cultural diversity that characterizes the city of Lisbon does not soften the many stories of a segmented and antagonistic metropolis. Interferes is an exhibition that affirms different expressions of urban culture, exploring narrative itineraries of the city through a dialogue that privileges the museum as a critical space, a meeting place between various communities and sensitivities – those installed who frequent it and those who are subalternized who are unaware of it – , starting point for new beginnings. The maat thus becomes a stage for timeless utopias and struggles, emerging tensions, stories told and yet to be told. Organized in nuclei, the exhibition addresses various themes that structure the design of the metropolis, generating dialogues between this stage and its actors. These are also the themes that set the tone for an agenda of events that contributes to the narrative of Interferences, part of which it is intended to generate contributions that will integrate the exhibition, making it a dynamic project revealed over the six months in which it will be on display. to the public.
BRIEF INTRODUCTION Can you pass a sleeping dragon without waking it up? In this workshop, come to play and learn about electrical energy. With wires, keys and screws, you will build a simple electrical circuit. And then put it to the test in a challenge of skill and concentration. Warning: don’t wake the dragon! ADDITIONAL INFORMATION Sundays 11:30 am Audience: Over 6 years old Duration: 60 minutes Meeting point – Ticket office building CENTRAL
Brief introduction In this visit, through the contemporary work of art, we work on issues related to technology in its more technical and scientific involvement in order to explore the relationship of understanding between the art object and the scientific versus creative method, and the phenomena of nature. Additional Information With Susana Anagua, Renato Santos and Jorge Catarino Audience: for all ages Duration: 60 minutes Capacity: max. 9 people
Pedro Alexandrino de Carvalho (1729-1810) was the most productive painter active in Lisbon in the decades that marked the reconstruction of the capital after the great earthquake. His career as a painter gained notoriety from 1780 onwards, unfolding in multiple commissions. A quick and tireless worker, he was responsible for the execution of many paintings of ceilings and altarpieces for churches in Lisbon and other locations, having also worked on the decoration of several palaces. His graphic work, of which we find some of the best examples here, allows us to get to know one of the most successful Portuguese artists of the late Baroque generation. Less known than some of his contemporaries who benefited from a foreign education, he surpassed them, however, in his very own compositional schemes, due to the freedom and dynamism of his compositions. Source: https://agendalx.pt/events/event/pedro-alexandrino-de-carvalho/
Giovanni Baglione (1566-1643) was one of the fundamental painters of Roman painting at the beginning of the 17th century when the pontifical city, under Pope Borghese Paul V, confirmed itself as the artistic center of all Europe. Despite the bad reputation created for him in a famous process that opposed him to Caravaggio and the Caravagescians, in 1603, Baglione accumulated great orders, fame and honors such as those of Prince of the Academy of S. Lucas and Knight of Christ, and he was important not only for his painting but for the writings on art he published in 1639 and 1642. He worked on the decorations of the Vatican Library, the Lateran Palace, the Charterhouse of Naples and for the great churches of Rome, in an intense production of multiple influences. This St. John the Baptist, signed and dated 1610, takes up one of Baglione’s most cherished themes, who treated it repeatedly, almost always in a young model, exploring the human figure with a sculptural character of great monumentality. Source: https://agendalx.pt/events/event/o-belo-a-seducao-e-a-partilha-3/
Magali Caillet-Gajan worked with the greats of French dance – Angelin Preljocaj, Phillipe Decouflé, Mathilde Monnier, Odile Duboc, Les Carnets Bagouet – and was choreography assistant for several pieces by Boris Charmatz. In the context of the [terrain] project, Culturgest offers young dance students and professionals, up to the age of 25, an opportunity to learn from her in the preparation of a small public performance. Sessions are daily, from Monday, July 27th to Friday, July 1st. The final presentation will take place on Saturday, July 2nd. Magali Caillet-Gajan worked with the greats of French dance – Angelin Preljocaj, Phillipe Decouflé, Mathilde Monnier, Odile Duboc, Les Carnets Bagouet – and was choreography assistant for several pieces by Boris Charmatz. In the context of the [terrain] project, Culturgest offers young dance students and professionals, up to the age of 25, an opportunity to learn from her in the preparation of a small public performance. Sessions are daily, from Monday, July 27th to Friday, July 1st. The final presentation will take place on Saturday, July 2nd. Participation is free, but requires registration via firstname.lastname@example.org, mentioning “masterclass [terrain]”. Source: https://www.culturgest.pt/pt/programacao/workshop-danca-jovens/?
Prohibited: €7.5 5€ (Group students) Tickets available: https://zedosbois.bol.pt/ ⟡ At the end of the creation process – which went through several residencies, two of which with ZDB – came the long-awaited time for the premiere of THRESHOLD – the group piece in which Mariana Tengner Barros returns to dance – at the mysterious Ordem e Progresso Society. 3 dance the riddle of the Cromlech of Almendres. The creatures that they are dance in the fluidity of the matter of bodies. Instant legend of 3 cosmic bonfires. Dance draws the unspeakable, what can only be experienced, and only survives in the memory of those who witness it. Matter is something to be experienced, and 3 bodies flow through the timeless, invoking the absolute in the universal mother tongue: dance. Mariana Tengner Barros invites you to the threshold, between the visible and the invisible. Choreography of constantly changing emotions, where the performers’ bodies reveal long-dormant mysteries. …’THRESHOLD celebrates completely hybrid and androgynous bodies, operating at different times, mixing rhythms and emotions, different entities and beings, various peculiarities of the body in motion. This piece explores the ideas of processing and sharing information around the Cromlech of Almendres, the oldest known cromlech in […]
A poet visits the House and chooses a play or a place to, from there, talk about his relationship with writing and with Fernando Pessoa. A video program conceived by Raquel Marinho, broadcast every other month on the social networks of Casa Fernando Pessoa. The first guest is Miguel-Manso, a poet with thirteen books published since 2008. His texts are part of a significant number of Portuguese and foreign anthologies and literary magazines. More information here Source: https://agendalx.pt/events/event/museu-infinito-2/
In the house where Fernando Pessoa lived, there is a new exhibition that brings together pieces about one of the best-known writers in Portuguese literature. Elements of the Casa’s mediation team open doors and create bridges to enter the fascinating universe of Pessoa and discover all the names that Pessoa used to sign his texts, the imaginary figures he created, the books he read and what life was like in the houses, Lisbon’s streets and cafés in the early years of the 20th century. Source: https://agendalx.pt/events/event/visitas-orientadas-a-casa-fernando-pessoa/
Live shows comeback with one of the best acts on the planet: The Avalanches! Come and join us. We dare you not to dance! “There are few living musicians as influential and wholly original as world-renowned recording artists, producers and DJs, The Avalanches. Their debut album ‘Since I Left You’, released in 2000, laid the blueprint for the future of sample-based music in the 21st century. Similarly, their follow up album, 2016’s ‘Wildflower’, sits on a patchwork of samples earning the band further critical acclaim across the globe. It’s not only through their studio albums that The Avalanches have made a mark on the musical They have released cult famous mixtapes that have become heavily coveted collectibles. As DJs, they have performed at their own infamous monthly club night ‘Brains’, to the main stage at some of the biggest festivals in the world including Splendor In The Grass , Fuji Rock, Primavera Sound, Glastonbury, Coachella and Creamfields Big believers in the life-changing power of music, wherever they’re playing and whatever they’re spinning, The Avalanches’ sets will always be jo yous, raucous and celebratory affairs. Their highly acclaimed third full-length album ‘We Will Always Love You’ was released Dec 11, 2020 […]
Shortcutz is back for a new season. The short sessions take place every Tuesday at 10 pm at the Guilherme Cossoul Instruction Society. Shortcutz is an international short film movement and is an integral part of LABZ, a project by Subfilmes Creative Network. Source: https://agendalx.pt/events/event/shortcutz-lisboa/
District Attorney Oriente Museum (Orient Foundation) Brief introduction What is haiku? Workshop With Leonilda Alfarobinha DATES Wednesdays | 22 and 29 June HOURS 15.00 to 17.00 PARTICIPANTS Max. 15 PRICE: €30 In haiku, each word must be placed in the right place. Haiku writing is an exemplary practice of debugging. But… what is haiku? What is evidence and what is mystery in this poetic form of Japanese origin? Haiku is beyond literature. It can be a way of life, a means of self-knowledge, a possibility for introspection and inner re-balance, a path to Nature. Let’s get to know Japanese poetry better, read and interpret some classic and modern haiku poems to, in the end, try to experience writing in this poetic way. Leonilda Alfarrobinha has a degree in Romance Philology and began studying Japanese language and culture in 1990. The haiku poetic form immediately attracted her attention. In 2003, she completed a postgraduate degree in General Oriental Studies and in 2007 she published a book of haikus in Portuguese, O Respirar das Flores. She has visited Japan several times and in 2015 she presented at the Catholic University a Master’s Dissertation entitled “To the Encounter of Nature […]
The Lisbon Circular Economy Club, in partnership with the Alcântara Library, created Falar Circular, a book club totally dedicated to reading and debating books related to environmental sustainability. The June 29 session will focus on the book Climate Change – What We Know, What We Don’t Know, by Judith A. Curry, a climatologist at the forefront of the climate skeptic movement. For 40 years, her research has focused on hurricanes, remote sensing, atmospheric modeling, polar climates and air-sea interaction. Source: https://agendalx.pt/events/event/falar-circular-2/
Latest News in Lisboa
Read about what’s going on in Lisboa and the best things to do and visit in Lisboa during your stay.
THE GIRL DOESN’T: NEW DISC PRESENTATION TOUR GOES THROUGHOUT THE COUNTRY AND STARTS IN APRIL
NEW DISC PRESENTATION TOUR GOES THROUGHOUT THE COUNTRY AND STARTS IN APRIL “2 DE APRIL” NOW AVAILABLE ON ALL PLATFORMS After getting to know herself with “Rua das Marimbas n.7”, the girl did not edit “2 de Abril”, the second album of originals, in which she pays homage to the memories of the neighborhood where she grew up and offers us a journey through the concerns of the present. and in search of love. The disc came out in physical version on April 2, but has already reached all digital platforms and now starts with a trip through Portugal for several live performances. The girl will not debut this new album at the Convento São Francisco in Coimbra on the 24th of April, then moving on to Benavente and Arruda dos Vinhos until the end of this month. In May, she already has concerts scheduled for Barreiro and Setúbal, the artist’s hometown. All tickets are already available at the corresponding ticket offices. About the album “2 de Abril”: Cátia Mazari Oliveira, better known as A Menina Não, was born in the 2 de Abril neighborhood, in Setúbal, in 1983. Music was always present in her childhood, whether through her […]
STORM FACTORY: NEW PROJECT BY RUI MAIA AND GIULIA GALLINA PRESENTS DEBUT RECORD ON MARCH 17
Storm Factory gives its name to the artistic project that was born from the meeting between the musician Rui Maia, who we know from X-Wife or Mirror People, with Giulia Gallina, an Italian composer living in Portugal and who we know from projects like The Loafing Heroes. After performing in 2021 with the single Corporeal, on March 17 they released their eponymous debut album, in which they built a distinct and unique sound environment, with contemplative, dreamy and cinematic features, born from the piano’s relationship with environmental electronics and experimental. The debut album came from the desire of the two musicians to develop a new aesthetic path born from the fusion of the neoclassical and minimalist pieces and compositions of Giulia Gallina, with the sound, environmental and electronic explorations of Rui Maia. The intention was to build something new, an aesthetic symbiosis that the two musicians had not yet explored. From this meeting, an album was born where there are no barriers of style. This was the key to the dialogue between different universes, which intertwine here in the search for a soundscape where a sensory piano, inspired by travel and mythologies, finds a wide range of environmental, industrial and […]
MÍSIA – ANIMAL SENTIMENTAL JOURNEY THROUGH THE UNIVERSE OF THE ARTIST THAT REVOLUTED TRADITIONAL FADO
March 4th is marked by the moment when Mísia begins to reveal to the world the project she has embraced in recent months – Animal Sentimental. It is a multidisciplinary project that tells, sings and highlights the trajectory of the artist who revolutionized traditional Fado. Da vida I want the signs is the single that anticipates the arrival of a new album, which will be released by the German label Galileo in April. This record work arises from Mísia’s desire to accompany the revisiting of her memories with the ideal soundtrack to transport readers to her imagination, rich, eclectic and fascinating. Mísia is not only one of the most precious treasures of our musical panorama, she is also one of the most adventurous and innovative Fado artists, a voice that has never forgotten tradition and has always known how to integrate the signs that life has brought her into her work. Feelings, that ineffable material that inspires poets and artists from so many other areas, are treasures that only weigh on the soul. Misia is well aware of this. This female artist, dreamy fado singer, singer-actress, storyteller of her own and others, is the first to admit that she is […]
LIVE IN A BOX Festival: event dedicated to Lusophone and Iberian music about to start in Lisbon, Faro and Bragança | 14 to 16 APR
Less than 1 month to go until the start of the Festival LIVE IN A BOX – Lusófona e Ibérica Music – which takes place from 14 to 16 April 2022, simultaneously at the Teatro Municipal de Bragança, at the São Luiz Teatro Municipal, in Lisbon, and at the Teatro das Figuras, in Faro. 3 cities, 3 rooms, 3 days, 9 artists and 18 concerts! From the 14th to the 16th of April 2022, the Teatro Municipal de Bragança, the São Luiz Teatro Municipal de Lisboa and the Teatro das Figuras, in Faro, open the doors to the first edition of the LIVE IN A BOX Festival. (see room times). The LIVE IN A BOX 2022 Festival lineup features the presence of recognized and established names of Lusophone and Iberian Music: CARLÃO (Portugal), CARLES DÉNIA (Spain), CRISTINA BRANCO (Portugal), FOGO FOGO (Portugal/Cape Verde), JÚLIO RESENDE (Portugal), LUCA ARGEL (Brazil/Portugal), LUÍSA SOBRAL (Portugal), MORENO VELOSO (Brazil) and SARA CORREIA (Portugal). The cast of artists will circulate between the three cities, using music and culture as a way of reducing regional asymmetries and the obvious imbalances between the interior and the coast, as well as contributing to cultural reinforcement in cross-border areas. […]
*SIGA* – Todos os caminhos vão dar a Faro
O Festival de Outono a marcar os 31 anos da Associação de Músicos em Faro
Filho da Mãe: new single and video “A Um Osso”. Pre-presentation concert of the new album “Terra Dormente” – CULTURGEST, LISBON – 16 MARCH
“A Um Osso” is the first single from Filho da Mãe’s upcoming album, “Terra Dormente”, which will be released on April 8 by Omnichord Records. “A Um Osso” was recorded in Ílhavo, in the Capela da Biblioteca Municipal, in August 2021, in a period still very marked by the effects of the pandemic with successive confinements and deflation. One could imagine a complicated following year with “a thousand dogs to a bone” from which the name of the song comes. It was a two-way fight between Filho da Mãe on the guitar and Hugo Valverde behind the microphones with some ideas flying against the walls of the chapel and finding salvation at the dinner table. Several takes were followed over the days and attempts to tame the music until finally, already in the process of mixing the record, it ended up revealing itself naturally. It is a mark of strength in “Terra Dormente”, an album that walks between two diffuse worlds, which suggests duplicated images and reflections that oppose a so-called “reality” to any other world. Ana Viotti, director of the music video that accompanies the release of the single, captures these images full of reflections well and shuffles them […]